Our Wives Under the Sea by Julia Armfield

Our Wives Under the Sea by Julia Armfield

Rating: 4 out of 5.

This was the weirdest and most delightful piece of art I have had the fortune of reading lately. Completely unexpected but painfully imaginative, reading Our Wives Under the Sea feels much like staring at fine art: somewhat confusing, utterly beautiful.

Leah has returned from six months in a submarine a different person, or something different altogether. Plagued by whatever she found at the bottom of the ocean, she spends several hours a day in the bath, spacing out, and worrying her wife, Miri. What was supposed to be three weeks under the water became six months with no answers, and even with Leah back, Miri still has no idea what happened there. Whatever stuck with Leah, like leeches on her skin, is slowly dragging her farther and farther from Miri and the life they once shared together.

This book was, again, totally not what I expected. I would classify this more in literary fiction with an element of romance, than in the horror/sci-fi I was originally expecting. I didn’t dislike that at all, in fact, Armfield’s writing style is really suited to this in-between space of contemporary magic. The narrative felt rooted in life even as it was carried away in fantasy; her prose was utterly human and naturally, heartbreaking. This is the story of a marriage uprooted by uncontrollable circumstances, but so strong in its love that it endures even tragedy.

Some comments, with no particular feelings about them: I couldn’t quite pinpoint what this was supposed to be a direct comparison of. “Our wives under the sea” as a concept comes from Miri exploring chat rooms of people with missing family members, and stumbling upon one where wives pretend their husbands have gone on missions to space. “My husband in space”, or MHIS, sparks Miri’s thoughts about her own loneliness and sense of abandonment, as Leah is missing and not heard of for several months. She jokingly suggests the direct comparison name for her own situation, Our Wives Under the Sea. The chat room comparison feels like it could be hinting at military relationships, or those who have missing family members as one suggested. The fact that Leah returns changed and hard to connect with or “save” furthers this theory, but I don’t really like it as a comparison for these relationships and situations – so I prefer not to think that’s the point here. If you live it, and then read this, the two don’t fit in my eyes.

Further, the plot line is wildly interesting and intriguing, but (spoiler alert) comes to nothing concrete. The ending does not wrap anything about the mystery of Leah’s change into a neat little bow. As a horror fan, I wish it did, but as someone who read and understood this story as one of marriage and the strength of love, I understand it is not strictly necessary. And, in fact, maybe even more terrifying for not having the answers, but having to accept things for what they are.

This oddly compelling novel will probably top my list for general recommendations this year – I think anyone can take something from this book and I will keep trying to sell it to my fellow readers! This is a bit of a long-winded review, but this is really an interesting book to dissect. This would make an amazing book club pick, as I think a group read would generate tons of conversation. Weird as it turned out to be, I highly recommend Our Wives Under the Sea.

Have a fabulous weekend. 😉

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The Daughter of Doctor Moreau by Silvia Moreno-Garcia

The Daughter of Doctor Moreau by Silvia Moreno-Garcia

Rating: 4 out of 5.

I liked this one! I don’t know if I’ll ever love another one of Moreno-Garcia’s books as much as I love Mexican Gothic, but the sci-fi element of this one makes for a really intriguing story. The Daughter of Doctor Moreau certainly lived up to my expectations.

Carlota Moreau is the singular bastard daughter of Doctor Moreau – a man who has thoroughly entrenched himself in the Yucatán to carry out his biological research. They are surrounded by the results of his experiments: “the hybrids” are half-animal, half-humans crafted by the doctors hand, and used as servants with the intent of their perfected versions becoming laborers for Moreau’s patron, the Lizaldes.

When Carlota is fourteen, they receive a new manager of the estate, Montgomery Laughton. The two circle one another even six years later, when the son of the elder Lizalde arrives in a flurry with the intent of marrying Carlota. The events that transpire in the wake of his arrival might just unravel everything they have built at Yaxaktun, their home.

I loved Carlota! I don’t say that often, and I definitely don’t say it much about Moreno-Garcia’s leading ladies. But Carlota had an inner sense of power that only grew in strength throughout the novel. There was a sense of surety and love that she used to will her world and dreams into the future. I never felt truly like the other characters had her best interest at heart, even when they were acknowledged that she was so pure and good, and wanted to be in her orbit. They were too selfish for their own good, but Carlota was always, always selfless. I loved her character.

The book alternates between the perspectives of Carlota and Montgomery, who is essentially the caretaker of Yaxaktun. While I loved Carlota, I only really *liked* Montgomery, and at times, I didn’t even like him. He made himself hard to like, at times, by being utterly stupid. That sounds harsh, but it’s so true! It was reminiscent of Maite in Velvet Was the Night: the lack of self awareness… painful. I just feel like he causes pain by being concerned about the past, or about himself.

The first half of the novel really captivated me, but I do have to say that the second half slowed my interest. I get what we were building towards, but the action in the second half didn’t grab me nearly as much as the drama and the historical intrigue of the first half. I don’t know if it just lost my attention or become too much or what, but it’s certainly not that didn’t make sense in the context of the story. I actually thought the resolution was pretty good – just kind of boring?

The novel is loosely based on HG Wells’ The Island of Doctor Moreau, which I admittedly have not read, or had even heard of prior to this book. Moreno-Garcia gave a sort of recap in the afterword so as to explain her intent with the retelling, and it sounds both authentic and like a great continuation of the story for a new generation. I thought a big part of the story’s importance was that Carlota and Montgomery had both respect and love for the hybrids, where others did not – it felt like adding a touch of humanity to the original story and twisting the characters from the Wells story so you can derive the original intent.

Highly recommend this one, and of course, all her other novels. I might backtrack and read more of her books; I didn’t realize she had published so much! I really love her writing style.

Have a great weekend!

The Book of Accidents by Chuck Wendig

The Book of Accidents by Chuck Wendig

Rating: 5 out of 5.

The 52 Book Club 2022 Challenge Prompt: 29. Over 500 pages long

Other Possible Prompts: 5. Chapters have titles, 8. Involving the art world, 9. A book that sparks joy, 14. A character with superhuman ability, 37. Set in a rural area

Wow…this. This is one of my favorite books of this year so far. And so, so unexpected. This review is going to be my crazy ramblings to my friends immediately after reading it, but somehow made (hopefully) readable – I’m here to sell you on this one! I am, however, going to completely break the usual review format because this book is extremely hard to describe.

I thought I was getting a haunted house book. Based on the side flap, that’s kind of what I was expecting. But that’s not what this is, like, at all. After the death of his father, Nate and his family return to his childhood home for a fresh start. Nate is glad his father is dead. Maddie needs new inspiration for her art, which has suddenly stopped coming to her. And their son, Oliver, is an overwhelmed empath who needs a new school and new chance to thrive socially.

Almost as soon as they arrive in their new home, though, there are strange and unexplainable occurrences. Nate sees his father everywhere, and strangers in the yard. Maddie blacks out while she creates and loses her art pieces. And Oliver makes a new friend, Jake, whose feelings he cannot see or feel like everyone else’s. This is a terribly oversimplified description of this crazy-ass book: there’s also cult shit and time travel and violence and friendship, but without ruining it for you? This is a book about a family.

Probably a great time to acknowledge that the two main characters share my SO and I’s names. I think I’ve mentioned it in a previous post, but I was book shopping with my sister last year and picked up The Book of Accidents with absolutely no knowledge of what it was. I was standing there reading the side flap and said “Oh my god, the two main characters are Maddie and Nate!” and my sister said, “Well, now you have to get it.” The rest is history. It was a little odd at first, trying to settle into it, especially because the two characters started off really resembling us…but I got used to it after a while!

I also *have* to comment on how awesome Maddie and Nate’s relationship was. It was really nice to read a horror novel with an actually healthy example of a relationship in it. These two are a team. They communicate really well. They’re individuals, but support each other in all the right ways. Incredible example of love, strength, and support that comes through right to the end. For once, the horror isn’t how horrible their spouse is to them. The relationship between both parents and Oliver? Also awesome. Which, of course, becomes a big part of the story…

All the supporting characters in this book do just that: support. They add a lot to the story, and I love how round and human they are. No character is neglected, all sides are considered. Even if it’s just Oliver’s nature to see past people’s exteriors, this story does a great job fleshing out even the most minor of characters.

The writing absolutely makes this book. The story is wild, imaginative, and very enjoyable – but without Wendig’s wit and fantastic, swirling prose, it’s just another great book. His touch tips it over the edge of great into outstanding. I described it to my friends as “Stephen King, if he respected women and had an editor with a backbone”. Basically, it’s really, really well written.

I just can’t wait for someone to read this so I can talk about it with someone – I loved this social commentary disguised as a horror novel, and you will too!! Grab a copy. It’s out in paperback now!

Have a great week!