This series continues to be quite good, and perfect to put you in the fall mood! While the writing and storyline in this one were, again, top notch, I dragged through this in comparison to the way I tore through Payback’s a Witch. It took me significantly longer and I’m hoping I figure out why in the process of reviewing!
At the Thistle Grove Beltane festival, Isidora Avramov witnesses an evil spell trying to take the power of one of the Thorn family girls as she competes to be May Queen. Being the daughter of an Elder, and of the house under suspicion for such dark magic, she is chosen to collaborate along with her arch-nemesis, Rowan Thorn, to investigate the incident.
Issa and Rowan are determined to be professional about their (ugly) history, but it doesn’t take long for the antics (and sparks) to start. To Rowan, it’s clear Issa has a lot more integrity and depth than he previously thought, and for Issa, Rowan’s good deeds might actually be just that: good deeds, and not the holier-than-thou attempts at the spotlight she thought they were. Through the investigation, they grow closer together, the closer they get to the answer: who cast that evil spell, and who has it out for the Thorns?
These books hit the perfect note for fall, even if this one is more spring-themed. Lana Harper, who, as it turns out, is actually Lana Popović (YA fantasy author), writes a great witch story. The magic is both in-depth and immersive while also remaining based just enough in reality that I, as someone who hates fantasy, still thoroughly enjoy it. I get into all of the Thistle Grove magic and history while I’m reading, even if that’s not usually my speed. She makes it easy to enjoy.
I really liked Issa and Rowan, but for some reason they just weren’t as magnetic as characters to me as Talia and Emmy were. I think there’s also something to be said about immersing yourself in a sequel, where the world has already been established and therefore doesn’t require further explanation. In Payback’s a Witch, we were learning of Thistle Grove for the first time, and therefore a lot of the content had to be directed at explaining that. There is less of this in From Bad to Cursed, so it seems as though the romance or mystery should be more present… but I think they were about the same, comparatively. Maybe I was more driven by the storyline of the first novel, whereas the mystery in this one is good, but not as high-energy. Sorry for all my rambling! Point being, I liked book one better, but this one is still really good and enjoyable.
I just got approved for Back in a Spell on NetGalley, so I’m sure I’ll be picking that up in the fall! I will definitely continue to be a reader of this series; I always enjoy them and I appreciate the diversity and inclusivity of the books, as well as the atmosphere of the setting and the magic.
Other Possible Prompts: 5. Chapters have titles, 39. A middle-grade novel
I ran out of audiobooks this last week and decided to give The Hobbit a try. I’ve never been one for fantasy, but I enjoyed watching these movies with Nate last summer. I figured it was worth the try while I wait for something else to come available!
I’m sure this book doesn’t require much summarizing. Quiet, home-loving hobbit Bilbo Baggins is one day randomly greeted by Gandalf, a wizard, and promptly by thirteen dwarves. Slated to return to their homeland and retake their crown and gold, currently protected by dragon, Gandalf has selected Bilbo to be the fourteenth on their journey. In an epic tale of adventure, they make their way back to the Lonely Mountain, and Smaug the dragon that awaits them.
I need to immediately preface by saying that I think listening to this book may actually be very different from reading it. The audiobook I heard is just shy of four hours long, while the book is hundreds of pages. I can’t confirm whether this is an accurate retelling, however I would still like to review this version that I read. Mine was the BBC Radio 4 Dramatization production originally played over the radio in several installments. Like the name details, it is more a *production* than an audiobook.
As a result, while I really loved all the music and the multitude of narrators, the audio quality was garbage. I listened to it in my car on a superrrr long drive down to Boston, and I had to keep messing with the volume buttons to hear some characters, but then got the wits scared out of me by the loud volume of Gollum, per say. (He, in particular, did this loud breathing thing right into the mic that was killer on the ears) It was brutal. I liked the idea of it, and I think hearing it on the radio as it was originally intended may have been better, but I had a really hard time with it in execution. This was my biggest complaint and the biggest problem I had with the entire thing.
As for the actual book content, I really liked it. It brought me back to watching those movies with Nate, that cozy feeling of a marathon, and the adventure and warm friendship of the tale. It really is a good and fun fantasy story, and I don’t say that often. I think I would enjoy reading this a second time, in a different format. It’s a solid story and I think there’s a lot more to parse from it than I got in this sitting.
I like that even in this version of the story you can see character growth – the whole takeaway for me that first time I absorbed that story, was that great friends and great memories can come out of getting out of your comfort zone. I think you can take away that same exact lesson from the book and Bilbo’s adventure out of his hobbit hole. I also picked up on more of the characters purposes within the novel; I thought the plight of the dwarves was an interesting one, particularly Thorin. While at first I felt pity for these refugees and their desire to go home, the ending they get and the decisions made by Thorin specifically had me changing my tune. I don’t know. It’s fun to ponder, and it’s fun that an adventure/fantasy book for young adults has such depth.
I liked this quick read, and it kept me busy during my drive so that’s a win! Like I said, I think I’d need to read a full version, and not just the BBC broadcast, to give a full review and opinion.
Finally, after years spent on my tbr, I have finished Meddling Kids (thanks Audible!). My copy smells like its been living in a musty basement for several decades (not entirely inaccurate) and for the circa 1990s vibe it gives off, it absolutely could have been. I didn’t dislike Meddling Kids, but I think it did not meet my expectations and left a lot to be desired. Let’s jump in.
More than ten years ago, Peter, Nate, Andy, Kerri, and their dog Sean stopped the man with the mask in their final adventure as the Blyton Summer Detective Club. But present day, Peter is dead, Nate is in a mental institution, Andy’s on the run from the law, and Kerri and Sean’s great-grandson Tim are washed up with bad luck. The release of the man they captured from prison sparks something in Andy, forcing her to gather up the remaining members of the BSDC to tie up the loose end she thinks remain in Blyton Hills.
Together, they hit the road and try to piece together the remaining threads of what they left behind all those summers before. Something never quite added up, and it’s plaguing them. All of them.
Obviously this screams Scooby Doo in its entirety, but I really thought it would land somewhere closer to Scooby Doo for grown-ups, tripping, scared-out-of-mind… I genuinely thought this would be a haunted house of horrors that packed a lot more punch in the scare department. However, there’s a lot more magic and story behind it, and I don’t think it did it any favors.
In fact, I think this book draws on for far too long. The story was *over* developed, if that’s a thing I can say. The backstories of each and every character, their hopes and dreams, the whole mess of lore that goes along with it – the book would’ve been better and about 100 pages shorter if we had cut that out. It’s not even a long book, or a bad book, but I 100% think it loses its shock value the deeper we dove into everything happening here. It goes on. Too. Dang. Long.
Not to say I didn’t like the characters. In fact, I loved them all, in their own unique way. And they don’t really fit the Scooby Doo archetypes set forth for them, so I must admit a feat in creating such well-rounded characters for a group adventure from the ground up. This component is well done. The supporting characters are also wonderfully cool.
This book just lands somewhere closer to fantasy and farther from the gut-wrenching horror I was expecting and hoping for. He hasn’t made a fan out of me with this little bait-and-switch maneuver.
I didn’t dislike this one, but I wouldn’t pick it up again knowing what I know now. Take that as you will in the recommendation department.
The 52 Book Club 2022 Challenge Prompt: 14. A character with superhuman ability
Other Possible Prompts: 41. Involves a second chance, 42. An indie read, 43. Author who’s published in more than one genre
This gem came up in my library holds a couple weeks ago but I’ve just been putting it off – everytime I got it, it seemed I was already in the midst of something. Finally I decided to just borrow it, and I literally could not put this one down.
Wallace was a powerful, cold and calculated attorney who was very good at his job, if nothing else – and then he died. At his funeral, he is collected up by his reaper, Mae, and brought to Charon Crossing: a peculiar teahouse run by a man named Hugo. Hugo, Mae tells him, is a “ferryman” who will help him cross over.
Unwilling to believe himself really dead, Wallace learns to navigate the world as a ghost with the help of Nelson, Hugo’s grandfather, and Apollo, Hugo’s dog – both also dead. Wallace isn’t quite ready to pass on, but he’s not sure why just yet. This odd clan is going to help him find out why.
I love the characters in this book. They absolutely make the story – they are warm and alive, much like in The House in the Cerulean Sea. Despite the wild fantasy the story tells, these characters are deep set in reality with beautiful personalities and stories to tell. Even Wallace becomes something greater than he was.
I didn’t think I was going to like the premise (pondering the afterlife) in this one as much as the other Klune I read, but I really did. Perhaps even more so, because it felt a bit more like magical realism than deep fantasy – I don’t prefer fantasy, but I think Klune has a knack for it. I can picture it, see it, follow it and actually enjoy it more than I can any other fantasy story I’ve read in the last five to ten years or so (God, I’m old).
The themes of this book, as we are forewarned, are very heavy. It deals with a lot of sad and sobering stuff, but it deals with it very well. Klune has the heart and mind to write about suicide, grief, and loss in a way that many authors can’t even touch. The empty feeling is captured and laid out on the page for you to grapple with. I cried multiple times reading this book and I’m not ashamed to say so. It is not an easy novel to read, especially if these themes have been in your own life.
My biggest complaint about Under the Whispering Door is the lack of bridge over the gap between how Wallace starts and what he becomes. For the most part, the character development is truly fantastic, but there’s a point, maybe around 35-40% of the way through, where I think Wallace made a very discernible shift without one particular catalyst. The rest of the transitions, including Wallace’s, are masterful.
I loved this book. Can’t recommend it enough. Please, please pick it up, but practice self care while you read it.
The 52 Book Club 2022 Challenge Prompt: 43. Author who’s published in more than one genre
Other Possible Prompts: 14. A character with superhuman ability, 15. A five-syllable title, 23. Author with an X, Y, or Z in their name, 25. A wealthy character, 52. Published in 2022
Plenty of prompt options, but I’m going to leave this one in my bonus category for right now! I think I only still need to fill 43 and 52 of those, so I’m just going to leave it off for the time being. 🙂 This review and synopsis won’t make a ton of sense unless you’ve read Gwendy’s Button Box and Gwendy’s Magic Feather, both of which I highly recommend.
This final installment of the the story of the button box takes our heroine all the way to outer space. When Mr. Farris returns one last time and asks Gwendy for the biggest favor at all, she complies, but at a great cost: it’s time to get rid of the button box, but there are people after its power. People who will stop at nothing to take it away from Gwendy…
This story, of course, hits with the same nostalgic, small-towny note as the first two, and I thoroughly enjoyed the vibe and the atmosphere these books created. The button box, and all of its buttons spelling certain doom, remain just as real and horrifying in this book. The Jonestown incident from Gwendy’s Button Box really got me and stuck with me long after reading, but I think the parallels King and Chizmar draw between a post-pandemic world will shake you even more so. It’s such an interesting concept, that makes for a really interesting tale.
Gwendy is wonderful as always, but I felt her narration was even more authentic this time as we live inside her brain with early onset Alzheimer’s. Memory is key to completing her “final task”, but as she slips away, she has to guard the secret that she can’t recall names, codes, or key instructions. We live the narrative the way she’s existing in it, forgetting names or things we just learned moments ago in the novel. It’s very intriguing and definitely makes the story that much more nerve-wracking!
I was duly surprised by the gore and drama of this book. There are some crazy parts encompassing the good ol’ town of Derry, Maine, that disturbed me if only because they were so wildly unexpected. Much of the button box series isn’t terribly violent (I say much of it – there are certainly times), but this one amps it up a bit. I loved the weaving in of King’s other tales, too. Both The Dark Tower and It made minor appearances in our storyline this time (and I’m just now realizing, if “the clown did it” in 2024, does that mean nothing the Losers Club did even worked?? I have questions).
The writing duo that is King and Chizmar is a damn good one. I really enjoyed Chizmar’s writing all on its own in Gwendy’s Magic Feather, but it needed the horror… it needed King back. And I don’t usually say that. King, in turn, is incapable of writing a short and to-the-point novel all on his own, and Chizmar provides that perfect balance. The length and level of detail in Gwendy’s Final Task hits that perfect sweet spot between the two.
While this book is full of twists and turns I wasn’t expecting, I did kind of think we were in for one more big one that just never showed. The book shows its cards a little too quickly for my taste. I was expecting more because there was still so much to go when it got a little hairy, but things play out just about as you expect them to in the last 75-100 pages.
Have you read this series? I’m curious to hear your own thoughts on this ending!
The 52 Book Club 2022 Challenge: 10. A book based on a real person
Other Possible Prompts:11. A book with less than 2022 Goodreads ratings, 26. Has an author’s note, 52. Published in 2022
I love amanda lovelace!! I’m so honored I got a chance to read unlock your storybook heart before it hit shelves, especially because this book resonated with me more than any of her others.
This poetry collection is based on the fairy tale of Beauty & The Beast, but of course, with lovelace’s twists. Our main character is a perfectionist, held to high expectations, a reader and an academic. She lost her mother and works through pain by binging. Destined to find her soul mate by finding the match for the keyhole in her heart, she escapes into books to stave off real life until she finds her knight in shining armor…who isn’t who you would expect.
amanda lovelace’s collection of poetry has always been one of my favorites. I’ve loved reading her evolution in attitude toward herself and the world, and how it’s gotten lighter and more hopeful over time. And that’s why I’ve chosen to use this prompt, based on a real person, because there’s a little piece of amanda in every collection – as she states herself in the author’s note.
While the witch doesn’t burn in this one has always been one of my favorites, lighting a fire in me for change and anger with the way things are, unlock your storybook heart spoke to who I am and to the advice I typically get and never heed. It was an artful reinterpretation of who I am and who I could be, and it’ll be amongst my favorites now. Beauty and the beast is one of my favorite fairy tales. I liked the play on our princess’ character as not only a reader and academic but a perfectionist and “gifted”. lovelace has a talent for twisting these tales to show you a new side of things.
Also, these illustrations?? Stunning. The addition of illustrations to her novels has been amazing. I loved in particular when they were fan-created, but these were stunning and cozy all the same. It just adds a touch more magic to her poetry and helps visualize the fantasy element of her art. It’s just the bump the pages need.
I sometimes find myself feeling lovelace to be repetitive; she can drone too much on the same thoughts in her stories. This one wasn’t as bad, but you can still see it in here. All the same, I really like her work and I would highly recommend it, especially to young women – there are a lot of themes in her stories that you can resonate with. However, there’s a trigger warning in just about every book, and be sure to be mindful of those as needed.
Even as not-a-huge-poetry-fan, I love amanda lovelace, and I loved unlock your storybook heart. Thankful to NetGalley and Andrews-McMeel for the advance readers copy! You can get a copy of your very own on March 15th, next Tuesday!
The 52 Book Club 2022 Challenge Prompt: 39. A Middle-Grade Novel
Other Possible Prompts:14. A Character with Superhuman Ability, 15. A Five-Syllable Title, 22. An Unlikely Detective, 37. Set in a Rural Area
I feel like my “Other Possible Prompts” section always looks the same…I appear to read some very similar stuff, haha. I picked up 100 Cupboards to fill my middle-grade novel prompt, but there’s also a backstory here! This novel was not a random choice, nor just one that sounded interesting…I’m pretty familiar with what’s popular in middle grade novels from my work at the library, but 100 Cupboards has additional meaning to me.
Henry York’s parents are missing, so he’s being sent to live with his Uncle Frank and Aunt Dottie for the summer in Henry, Kansas. Summer with his cousins is finally helping him taste some sense of normalcy from his own life, and letting him be a kid – but better yet, he’s discovered cupboards buried under the plaster in his attic bedroom. Slowly, painstakingly, scraping and picking away at the plaster, Henry and his cousin Henrietta discover ninety-nine cupboards that seemingly help them enter other worlds. The cupboards are doorways to somewhere else…but the thing about doorways is that things can come back through them, too – and that’s where the trouble begins.
When I was twelve, my grandparents gave me 100 Cupboards as a Christmas present. We almost always got at least one book for Christmas in those days, and N.D. Wilson’s novel was mine. I love the creepy cover and the horror look in its coloring. I recall reading it in the sixth grade and just absolutely loving it – this was roundabout the time I was finally becoming a reader, for real, primarily because I was picking up good books like this one instead of that weird regurgitated garbage we feed kids, ie. “sad animal story”, or “magic animal story where they’re weirdly human”, or “girly drama about a boy that reminds you about true friendship”. There’s nothing wrong with reading those and enjoying them, but I think they became so much of a fad when I was in school that I forgot to just try to read things I actually enjoyed. And oddly enough for a kid with anxiety, I loved horror. Now an adult with anxiety, I still love horror! And I think this is one of the first books that got me hooked on that.
I really enjoyed completing this prompt, and not just because the book was pretty decent. I think this one really gave me a blast from the past, and made me evaluate where my reading tastes originally derived from. I recalled very little of the story, so as it unfolded for me nearly ten years later, I enjoyed it just as much the second time. I thought it was so interesting to see one of those pivotal turns in my reading taste.
I did remember, however, this book being much scarier to twelve-year-old me than it was to twenty-one-year-old me. I found very little of this book truly frightening, but I can see why it may have felt ghostly and horrific to a younger version of myself. And that said, I still really enjoyed it. This is a good yarn, if you will, and I would actually love to know what happens next. I may try to squeak both sequels into my reading for the rest of the year, just to see what happens.
This book is also more fantasy than I typically read, in keeping with my last two reviews! I think you should always expect some fantastical element of something when reading a middle grade novel, but the depth of this fantasy also went much deeper than I recalled. Even as a kid I didn’t read a lot of fantasy; I never read Harry Potter and I wasn’t into the Warriors series…I was more likely to pick up science fiction, or realistic fiction. This novel held a much higher rating in my head prior to me getting to the last quarter of the book or so, actually, because it was about then that it got really wild and a little harder to follow. They’re trying to get you to read the sequel…but really they lost me quite a bit when it started developing further. It was just an interesting observation for me. As a child, I never read the sequels – so clearly I was not so entranced at that age either.
And as much as I enjoy reminiscing about my childhood reading habits, I’m writing this review as a twenty-one year old bibliophile, so not all of this should come from my twelve year old self. And as an adult, I have to say, this book is stellar. It’s well written, it’s got well-rounded characters, and there’s just enough to it to keep the pre-teen following the plot and the adult pretty interested. There’s just little specks of suspense here and there that I was absolutely living for.
I had so much fun with this prompt and reading this book, so I was really excited to share this one. I hope I didn’t bore you too much with my nostalgia!
The 52 Book Club 2022 Challenge Prompt: 28. Award-winning book from your country (Alex Award Winner)
Other Possible Prompts: 14. A Character with Superhuman Ability, 22. An Unlikely Detective, 37. Set in a rural area, 42. An indie read, 43. An author who’s published in more than one genre.
WOW. I’m disappointed in myself for putting this book off as long as I did. I am absolutely astounded and flabbergasted by how much I enjoyed House in the Cerulean Sea, especially given that it is yet ANOTHER fantasy novel! Not only my second five star read of the year, starting off strong, but it’s the second fantasy book I’ve tried and loved so far in 2022.
Quiet and analytical Linus Baker has been given a classified assignment as a case worker for his employer, The Department In Charge of Magical Youth: he is to investigate an orphanage on remote Marsyas island. Six unusual charges with incredible magical abilities are led by Arthur Parnassus, and their strange circumstances and lack of communication has Extremely Upper Management taking a special interest in Marsyas Island Orphanage.
Upon his arrival, nothing is as Linus expects. Though he tries to remain analytical, the children and even Arthur surprise him at every turn. The more time he spends on the island, the harder it becomes for him to keep his distance from these children, labeled as threats, this island, bringing color to his world, and Arthur, sweet and surprising – all but capturing his heart. And Linus hasn’t the slightest clue what to do with it all.
To me, House in the Cerulean Sea is best described as a cross between 1984, the X-Men, and your favorite slow-burn romance. I can’t even pinpoint for you all the exact vibes and marks this book seems to hit upon; all I know is that their convergence is an absolute delight. I haven’t read something with so much warmth, so much wit, and so much familial lightness in such a long time. This book is truly a marvel and lifts a weight off the heart when you read it.
There is so much subtext in this book. I’m sure most people will know that going into it, but Klune does a great job highlighting it for those who may not have gotten it initially. Themes of family, of hate and fear of the unknown, of separation – they are all reflected in this book, and while our characters may be represented as magical beings, they represent a broader group of marginalized people. Which brings us, unfortunately, to the controversy.
Now, I’ve read many different accounts and recounts of where this draws from, and Klune doesn’t seem to be afraid to repeat it. House in the Cerulean Sea was a story born from the Sixties Scoop, which refers to Canada removing indigenous children from their own families and placing them into white families, which went on for about twenty years and is still having an effect today. Reparations were paid by the Canadian government for this action in 2017. Klune claims that when he heard about this, having not previously known it, he had a lot of feelings about it that birthed House. A lot of people feel this to be wrong, given he is not indigenous, he is in fact white, and that he turned this story of misery into a fantasy tale that (spoiler alert) has a happy ending. There wasn’t a lot of happy endings when it comes to the real story that inspired this one.
I think the criticism is one-hundred percent fair, and I agree that, even if it was his inspiration, this is not something Klune should’ve shared. House in the Cerulean Sea is a real sugar coating of things, if I’ve ever seen one. But what I take issue with is the complete canceling of this story. I’m not at all anti-cancel culture: I think it’s society’s brilliant invention for deciding what we will no longer tolerate, and if the masses say it goes, it sure as hell should go. However, I want to remind everyone that this book was absolutely beloved and revered prior to this news breaking. It still does tell the story of a marginalized group of people, particularly children, who overcome through love and changing the minds of those around them. It tells a story of perseverance. And it spoke to so, so many people. Even now, after many readers “canceled it” with one-star ratings, it currently has a 4.47 star rating on Goodreads. I think the substance of this book is quality, and even if it’s not an accurate representation of the Sixties Scoop in any way shape or form, it’s a damn good book. It was born out of the feelings Klune felt when he heard about this horrific event. It’s not an accurate depiction; it was an inspiration for a tale we all hope could be, of the ending we needed. And above all, Klune himself is of a marginalized group, understands a marginalized group, and advocates for marginalized groups to write more about their own experiences. So yes, his inspiration and his sharing it was problematic. Is problematic. But I don’t think we should throw out the baby with the bath water. This is a brilliant piece of fiction, and we’d be wrong to deny it that much.
I have to know: have you read The House in the Cerulean Sea? What were your thoughts?? I’ve yet to meet someone who didn’t absolutely adore it upon the first read, though I know a few who changed their tune when they learned the information above. I really hope to read Under the Whispering Door this year; I have a few areas I could fit it into my challenge, and this was such an unexpected five stars from me. I picked it up when it first became popular, then when I read the description I didn’t know if I’d actually enjoy it, then the whole controversy came about…so I didn’t know what to expect. But I certainly couldn’t have guessed I would love it THIS much!
I hope you have a fabulous week friends, and that you’ll check out this gem if you haven’t already!
With this, my last review of the year, I was really feeling some Stephen King vibes. I have a love/hate relationship with King’s writing that almost entirely centers on him being a genius, but one who must not have met a real woman in his whole life. Every time I read his books I am struck with just how badly he writes women – but Sleeping Beauties is the anomaly. With the addition of Owen King as a writer, I was absolutely struck by the brilliance and beauty of this work as a horror fantasy novel.
Sleeping Beauties follows the town of Dooling, a small town containing a women’s prison, and the lives of the people within it as a virus named Aurora spreads through the nation. Aurora afflicts only women, spinning them into cocoons they can’t wake up from as soon as they fall asleep. Dooling struggles to stay awake and deal with the aftermath of losing an entire town (and an entire world) of women in just a few days…but meanwhile, the men’s search for the solution grows dangerous.
This is easily one of my favorite King novels now. It’s right up there with The Mist, which for sure hits different in the middle of a pandemic (for real, read it and tell me that wasn’t the entire United States locked in that grocery store). But Sleeping Beauties taps into a different fear, I think of both men and women, of losing the other sex. I was fascinated by the responses of each, of the drama that unfolds, and the sacrifices they make. Because this story is so focused on women, I think it absolutely could have flopped with King. When I read things like Carrie, I’m disturbed by how poorly he understands girls and women, what motivates them, and how they act in real life. Carrie almost certainly would have been a very different story if it was written by a woman, if you think about it. I had the same fear for Sleeping Beauties – but it is truly evolved from his original works, and I tend to wonder if that’s Owen’s magic.
As incredible as the action and drama of this book is, what really had me invested by the end was these personal relationships and bonds formed between characters. When it comes down to the climax, the turning point, and the ultimate choice for our characters, I was bawling. You come to respect the positions and reactions of each character to this cataclysmic event, even if you don’t like them all that much. Even characters I disliked (and there are so, so many…but incredibly, by the time your halfway through or so, you know them all like the back of your hand) felt redeemed to me in their search for justice, or their search for the women lost in their lives.
I think the premise of this book, and the lesson it teaches through the horror it’s driving at, is extremely important – and it was especially important when this book came out, in 2017. I’ve had it on my shelves since that time, but I wish I had read it then (even though, reading it now, I have much more perspective on this). These women were abused, ignored, continuously beat down physically or emotionally by men, or were in their current situations (like a women’s prison) because of men. The heart of this story is that many of these women felt a relief from Aurora – and that’s a terrifying prospect, to wish to sleep permanently over continuing down your current path. If you think back to 2017 or even 2016 when this book was coming to fruition, I think you can see where this fear of losing the backbone of our society really stemmed from. And just like Carrie, I think this story would look very different if it was written – or even just finished – by a woman. And that, my friends, is why I was really crying at the end of this book.
Overall, this is what I have always craved from a Stephen King work: complex women. They’re the crucial missing piece for me when people claim King is a master of the craft. I don’t disagree, and I never have. His words on the page are absolutely art… but art can still be problematic. Our favorite artists, too, can still be problematic. But Sleeping Beauties is a redemption. Sleeping Beauties has shown me that the master understands his shortcomings and is prepared to grapple with them. And for that reason, I’m highly recommending Sleeping Beauties to anyone who will listen these days.
And so marks my very last book review of 2021! This was an awesome note to end on. It takes me awhile to work up to committing to a King novel, but I’m never disappointed when I do. He captures a vibe that not other author on my radar ever can.
I can’t wait to share with you my 2022 reads and work through The 52 Book Club challenge with you!! Enjoy the new year, and stay safe friends!