The 52 Book Club 2022 Challenge Prompt: 25. A wealthy character
Other Possible Prompts: 22. An unlikely detective, 23. An author with an X, Y, or Z in their name
Every time I doubt Riley Sager he manages to pull it out, somewhere around the middle…Lock Every Door was one of his more popular novels, I believe, and I can see why. It has all the great makings of gothic horror but pulls out all the stops in modern twists and turns.
Left jobless, boyfriend-less, and homeless all in one day, Jules can’t believe her luck when she finds a job posting for an apartment sitter. Despite the weird rules provided by the manager, Jules can expect $1,000 at the end of each week she spends on the twelfth floor of the famous and mysterious Bartholomew apartment building – so she eagerly accepts the job.
While the other tenants living at the Bartholomew provide intrigue enough, Jules manages to befriend one of the other apartment sitters, Ingrid. When Ingrid goes missing, however, far more of the “quirks” she enjoyed about the Bartholomew before are cast in a new light. As she struggles to locate her new neighbor, the “haunting” of the apartments comes to a head.
Really, this book is about the ambience. The Bartholomew is a stunning setting for this gothic horror with a modern vibe. The novel is rich in details about the building and I could absolutely see it in my mind as I read. This is definitely something Sager excels at that I don’t see in many of his novels, but wish I did – I’m a sucker for a good setting in a horror novel (The Return, anyone?).
Like many of Sager’s works (which I will get around to later when I review The House Across the Lake) Lock Every Door starts real heckin’ slow. The first half of every Sager is just setting you up to believe that you know exactly where this is going, that we are on a predictable train ride to the full conclusion. But no. No no. The second half will have your head spinning, and the last twenty pages always damn near knocks your head right off your shoulders. Like I frequently say of Tessa Bailey, I was in doubt, but I have learned better: never doubt. Sager impresses me, and I like his writing style that’s easy to fall into and enjoy.
On a similar note, this book is masterfully crafted. Each and every detail, every offhand remark has a point. Do you ever read a book and wonder if it could’ve been written backwards? The mystery is just too perfect, the hints just too well placed. I think that impressive plotting is part of what made this book such an instant hit, and the reason people have been hooked on Sager for years now.
I liked that each and every character was complex and enjoyable. It is truly quite a cast, and it gives me Murder on the Orient Express vibes for sure. Just really unique characters with their own distinct story and ~vibe~. I loved Ingrid, the other apartment sitter, despite not wanting to. Her happy, bubbly personality is not only charming, but necessary to the story, in order to make Jules drawn to her and concerned by her disappearance. I liked Jules, too, but her character veers toward outgoing where I think I would be more reserved in the same situation. She’s not unlikeable, but for me, she wasn’t totally relatable, either.
All in all, I think it’s pretty clear I’m recommending this book! It wasn’t my favorite of his, hence the four stars, and I think that’s partly because the beginning was so dull in my eyes. I was waiting for things to get interesting, and thought it would happen a lot sooner than it did. However, overall, this is a damn solid mystery thriller, and I loved it!
Have a most excellent weekend, peeps!